
Chosen Painting: Edward Hopper- 'Hotel Room'
- Figure is hunched, facing away from the brightness, hiding.
Emotive and phenomenal qualities:
- confinement, isolation, cramped, exhaustion, worry. Analysis of the density and depth of the painting.
Analysis of the geometry of the painting:
- Crisp vertical lines.
- Eye is drawn to the figure, then to the large white space behind her, followed by the dark. cluttered corner.
Narrative to inspire my sequence of rooms:
A maze-like container for a woman who plays hide and seek with the world.
Tuesday, April 22, 2008
Painting , Analysis, Sentence
Project 2
Wednesday, April 9, 2008
The Completed Model
The Completed Model, Completed Parti & Poche Diagrams
Saturday, April 5, 2008
Friday, March 21, 2008
Robert Venturi- Mother's House


Photograph of the exterior showing the relationship between the building and its context. This will be helpful when considering the massing (enclosure) Parti diagram:
Notes for Geometry Parti diagrams:'The plan as a whole reflects the symmetrical consistency of the outside; outside, the perforations in the elevations reflect the circumstantial distortions within. Concerning the inside, the plan is originally symmetrical with a central vertical core from which radiate two almost symmetrical diagonal walls that separate two end spaces in front from a major central space in back. This almost Palladian rigidity and symmetry is distorted, however, to accommodate to the particular needs of the spaces: the kitchen on the right, for instance, varies from the bedroom on the left.'
From Complexity and Contradiction in Architecture by Robert Venturi, © 1966
From Complexity and Contradiction in Architecture by Robert Venturi, © 1966
Tuesday, October 23, 2007
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